iPad Project Singles

Cover of Convert Your ebooks to EPubiPad Project Singles, based on The iPad 2 Project Book, are ebooks containing complete step-by-step iPad projects.

iPad Project Singles are great way to sample the style of The iPad 2 Project Book. Each iPad Project Single contains a stand-alone project that is not covered in the iPad Project books.

The singles are available as ebooks only, from the iBooks Bookstore on your iOS device, and in the iTunes Store on your computer. Each iPad Project Single costs only .99 cents.

The first three iPad Project Singles are:

Borrow Library e-books for Your iPad. By Lisa L. Spangenberg and Michael E. Cohen.

Build a Comicbook (and PDF) Library for Your iPad. By Dennis R. Cohen.

Convert your E-books to the EPUB format for your iPad. By Dennis R. Cohen.

Michael E. Cohen’s Take Control of TextExpander on MacVoices

My co-writer Michael E. Cohen got me using Smile Software’s TextExpander because not only does TextExpander make writing on my Mac easier, the iPad app TextExpander Touch makes writing on an iPad much, much easier, and reduces labor and keystrokes.

But I really began to benefit from TextExpander after reading Michael Cohen’s Take Control of TextExpander book.

Chuck Joiner’s popular podcast features an interview with Michael this week. You can enjoy the dulcet tones of Michael’s voice in the audio version of the podcast at http://www.macvoices.com/wordpress/macvoices-1175-michael-e-cohen-takes-control-of-textexpander/. Or, if you wish to gaze at his striking visage as well, go to the video version at http://macvoices.tv/macvoicestv-1164-michael-e-cohen-takes-control-of-textexpander/.

Harper Collins Wants to Limit Library Circulation of Ebooks

Apparently because of Overdrive’s recent release of an ebook client for iPhones and iPad (read more about Overdrive and library ebooks here and here), Harper Collins has responded by announcing that new Harper Collins titles licensed from library ebook vendors will be able to circulate only 26 times before the license expires. Library Journal wrote about the announcement here, and included a letter from Overdrive’s CEO Steve Potash which states that the Overdrive licensing terms for Harper Collins books will change

while still operating under the one-copy/one-user model, will include a checkout limit for each eBook licensed. Under this publisher’s requirement, for every new eBook licensed, the library (and the OverDrive platform) will make the eBook available to one customer at a time until the total number of permitted checkouts is reached.

Harper Collins issued a statement that

HarperCollins is committed to the library channel. We believe this change balances the value libraries get from our titles with the need to protect our authors and ensure a presence in public libraries and the communities they serve for years to come.”

According to Library Journal, Harper Collins President of Sales, Josh Marwell, said that “the 26 circulation limit was arrived at after considering a number of factors, including the average lifespan of a print book, and wear and tear on circulating copies.”

In other words, they assumes a mass market paperback with a circulation period of two weeks per loan would be checked out 26 times a year. This suggests to me that they didn’t talk to any librarians; I’ve seen a Harlequin category romance, a paperback with fairly low-end paper and binding, be checked out for three to five years. A book with sturdier binding—for instance a mass market paperback from Harper Collins will typically be checked out repeatedly for two to five years, often circulating as many as 100 times. And then there are the library bound mass market paperbacks which can last much much longer.

I want authors to be paid; I want publishing professionals to be paid. This is not the way to do it. This serves to limit circulation—and limit readers, while essentially punishing libraries who are already under siege.

The truth of the matter is that ebook readers buy print books more frequently than the average print book reader. This is a foolish decision on Harper Collins’ part, and I supect it’s one that will be followed by other publishers.

Instead, they should look to Baen, who has found ebook sales (and free ebooks) are driving sales of print books.

There’s already a backlash on Twitter where users are responding the hashtag: #hcod.

Neil Gaiman‘s response: “I think it’s incredibly disappointing.”

You can read more about the Twitter reaction at Toby Greenwalt’s The AnalogDivide “The Publisher that Kicked the Hornet’s Nest.”

ETA: Cory Doctorow weighs in here. Doctorow suggests that

libraries should just stop buying DRM media for their collections. Period. It’s unsafe at any speed.

I mean it. When HarperCollins backs down and says, “Oh, no, sorry, we didn’t mean it, you can have unlimited ebook checkouts,” the libraries’ answers should be “Not good enough. We want DRM-free or nothing.” Stop buying DRM ebooks.”

It’s a nice idea in theory, but libraries buy what their users want to read. If users want books that are only available in DRM crippled versions, and libraries don’t buy them, users will retaliate by crippling library budgets even more than they have already, via numerous tax and budget decisions. Libraries are closing, all over. This kind of activism isn’t really helpful because it’s naive and privileged. Libraries are locally controlled, right down to what books they buy&mdah;and don’t buy.

Public Library Ebooks and Overdrive

Michael Cohen, over at Tidbits, has written a piece about downloading a DRM protected ebook via his local public library. His library like mine uses technology and books provided by Overdrive, Inc. The books in question are DRM epub books, using Adobe Digital Editions technology for DRM. Cohen writes:

So, when I discovered that my local public library had dipped its toes into the ebook waters and had begun to offer ebooks on loan, I was more than intrigued. After all, I’d read books on a Kindle (loved it), read books using iBooks on my iPad (loved it, too), and was looking forward to making even more use of my local library than I already did.

It’s a good piece, and thanks to Cohen, I discovered Bluefire Reader.

Cohen’s experience was, on the whole better than mine; I’ve been using Adobe’s digital DRM protected books since about 2000. I’m on my fourth computer now though, and when I attempted to get Adobe’s authorization to use the book I downloaded from my public library, not having accessed any of my Adobe DRM protected books on this new computer, Adobe borked my books, and told me I had to call for permission to authorize a fourth computer.

I did. Adobe told me I was SOL, because you know, they only authorize three computers. Mind, I don’t even have two of the computers; they’re dead, defunct, and long past pining for the fjords. But I did pay for about fifteen ebooks using Adobe’s tech, and now, I can’t read any of them, at all.

Moreover, they told me that one of the books–a scholarly edition of a medieval ms. that was a few hundred dollars–won’t work at all on any Adobe reading platform. (Fortunately, I have an old computer with an old OS, which I’ll be sure to keep for reading this one book).

I am not a happy camper.

The lesson here, boys and girls, is that DRM doesn’t stop piracy (pirates’ve already figured out how to crack Adobe’s Digital Editions DRM) but it does stop paying, legal, law-abiding readers.

Am I going to buy more Adobe using ebooks? No. Not ever. Nor will I crack them or pirate them, but I will let authors and publishers know why I’m not buying their books.

Why Technology Fails to Stop Book Theft

Various forms of technology intended to control who could read books have failed.

All of them have failed, and largely, for the same reasons.

We have first the book curse, sometime called a fiat. Then we have chained libraries.

DRM doesn’t work because it is as easily broken as the medieval chains were broken—which is why so many medieval book collections were ravaged for their valuable covers and the contents between the covers casually disposed of, which is exactly what happened to The Book of Kells in 1006.

DRM doesn’t stop thieves. It just stops honest people from buying and reading DRM books.

On the other hand, giving away books without DRM encourages people to buy more books. It works. And while I absolutely don’t think giving away books for free is a tactic for everyone, it’s awfully interesting that Cory Doctorow and Baen’s books seem to be less frequently pirated not because they’re free (not all of either entity’s books are free) but because good reasonably priced DRMless content does seem to drive out cracked illegal content on the basis of ease of use, and production quality/readability.

Thieves are thieves; they’re not new. Talk to a librarian or to someone who works in a bookstore. Thieves will steal.

Technological anti-theft methods fail because the genuine paying customer is alienated, annoyed and frustrated and so doesn’t buy or read the protected book. We buy and read another book—it’s not like there’s a shortage of books readers want to read.

The remedy is to concentrate on appealing to the majority customer–the honest people who want to pay for their books–and making them available without DRM. People like me who love books will buy multiple copies of the same book—we did this before ebooks, and we do it now. We’re the real customer‚we actually read our books as well as pay for them.